Join the Mailing List

Membership

Collected Graphic Design History from Design Reviewed

Atelier 14, Stedelijk Museum, Amsterdam, 1977

, ,

Information

Details

  • Format: Exhibition Catalogue
  • Designer/s: Wim Crouwel and Daphne Duijvelschoff (Total Design)
  • Year: 1977
  • Client/Publisher: Stedelijk Museum, Amsterdam
  • Size: 210mm x 275mm

Linked Information

Atelier 14, Stedelijk Museum, Amsterdam, 1977 designed by Wim Crouwel and Daphne Duijvelschoff (Total Design)
Atelier 14, Stedelijk Museum, Amsterdam, 1977 designed by Wim Crouwel and Daphne Duijvelschoff (Total Design)
More graphic design artefacts
What is Modern Architecture, Museum of Modern Art, 1946. Designed by Norman Ives
From the design archive:

What is Modern Architecture, Museum of Modern Art, 1946

  • Format: Exhibition Catalogue
  • Designer/s: Norman Ives
  • Year: 1946
View Artefact
Idea 401, 2023-4
From the design archive:

Idea 401, 2023-4

  • Format: Magazine
  • Year: 2023
View Artefact
Typografische Monatsblätter, 7, 1934
From the design archive:

Typografische Monatsblätter, 7, 1934

  • Format: Magazine
  • Year: 1934
View Artefact
Tourist, Polish 1968 Matchbox label set
From the design archive:

Tourist, Polish 1968 Matchbox label set

  • Format: Matchbox Labels
  • Year: 1968
View Artefact

view more of the graphic design archive

More graphic design history articles

Members Content

DSC_0677
  • Design Archive Feature, Members Only Content

Ken Briggs and his iconic designs for the National Theatre

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.
Read Article

Members Content

A Collection of Japanese Ephemera from the 1930s and 1940s
  • Design Archive Feature, Members Only Content

A Collection of Japanese Ephemera from the 1930s and 1940s

Beyond being mere artefacts of design, these examples encapsulate the dynamic changes Japan was undergoing during this period. The design output of this era not only served commercial purposes but also became a powerful medium for expressing these societal shifts.
Read Article
Poster designed by Ernst L. Franke
  • Design Archive Feature

The Inventive Publicity of Austria, 1930 by John Harrison

A country is never dead so long as it has an art. Austria is a proof of this maxim. Its liveliness since the war is liveliness which has displayed itself in the arts to a remarkable extent : it deserves the world's admiration and respect.
Read Article

Members Content

Omnibus 9, University of Braunschweig, 1964. Designed by Udo Zisowsky in collaboration with Peter Riefenstahl, Manfred Bremeler, Ralf Dierig
  • Design Archive Feature, Members Only Content

The Advertising and Design of Omnibus – The University of Braunschweig’s 1960s Publication

Omnibus was Published by the journalism working group of the Technical University of Braunschweig. A square publication measuring 290mm. The publication included features on politics, arts and culture. With advertisements carefully selected to be in keeping with the visual aesthetic. Content also included exhibition information and a fine example of concrete poetry, among artists such as Schröder-Sonnenstern and Sine Hansen.
Read Article