GKF : Hand en Machine, Stedelijk Museum Amsterdam, 1957

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GKF : Hand en Machine, Stedelijk Museum Amsterdam, 1957
GKF : Hand en Machine, Stedelijk Museum Amsterdam, 1957
GKF : Hand en Machine, Stedelijk Museum Amsterdam, 1957
GKF : Hand en Machine, Stedelijk Museum Amsterdam, 1957
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IBM puts a premium on functional design, forms and colours which make it far easier for the potential customer to gain an insight. In this respect the IBM methods are exemplary. The IBM already opened studios of artistic and graphic design for its German and Italian offices and a few years ago another such studio was established in Paris. Frank René Testemale was entrusted with its organisation and was appointed its business and art director.

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In 1964, Sugiura was commissioned by the magazine Design to design each of their twelve monthly cover designs. Creating a series of systems which set the foundations for the design.
“They’ll never stand for that” and “It’s too modern” are, as George Plante aptly puts it, the restraintive thoughts which beset a commercial artist who tries to let himself go.

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Olle Eksell is well known for his advertising illustration, book jackets and playful packaging design. He first studied engineering and later decided to become a graphic artist. He began his career as a window decorator in 1935, and studied under Hugo Steiner between 1939 and 1941.