Join the Mailing List

Membership

Collected Graphic Design History from Design Reviewed

Pubblicità in Italia 1957-58

Information

Featuring the best Italian graphic design of the year including posters, publishing, advertisements, packaging and more.

Details

  • Format: Book
  • Designer/s: Franco Grignani
  • Year: 1957
  • Client/Publisher: L’Ufficio Moderno, Milano
  • Size: 215mm x 300mm

Linked Information

Pubblicità in Italia 1957-58. Cover design by Franco Grignani
Pubblicità in Italia 1957-58. Cover design by Franco Grignani
More graphic design artefacts
Hundertwasser, Stedelijk Museum, Amsterdam, 1964 designed by Wim Crouwel
From the design archive:

Hundertwasser, Stedelijk Museum, Amsterdam, 1964

  • Format: Exhibition Catalogue
  • Designer/s: Wim Crouwel (Total Design)
  • Year: 1964
View Artefact
Museumjournaal, Serie 18 no5, 1973. Frank Steenhagen (cover), Jurriaan Schrofer (layout)
From the design archive:

Museumjournaal, Serie 18 no5, 1973

  • Format: Exhibition Catalogue
  • Designer/s: Frank Steenhagen (cover), Jurriaan Schrofer (layout)
  • Year: 1973
View Artefact
Publishing and Printing in The Netherlands, 1951. Dick Elffers
From the design archive:

Publishing and Printing in The Netherlands, 1951

  • Format: Book
  • Designer/s: Dick Elffers
  • Year: 1951
View Artefact
Staatstheater Kassel 1968/69. Programm Nr. 7, Der Nußknacker, 1968. Designed by Karl Oskar Blase
From the design archive:

Staatstheater Kassel 1968/69. Programm Nr. 7, Der Nußknacker, 1968

  • Format: Programme
  • Designer/s: Karl Oskar Blase
  • Year: 1968
View Artefact

view more of the graphic design archive

More graphic design history articles
Untitled-1_0002_Screenshot 2022-02-17 at 14.57.52
  • Design Books

Visual identity and branding at Olivetti published by Triest Verlag

I have always loved the design work created for Olivetti. The colourful midcentury designs by Italian designer Giovanni Pintori, the minimal typographic poster by Swiss designer Walter Ballmer and my personal favourite the 1959 poster for Olivetti designed by Herbert Bayer. I recently found out Triest Verlag released a new book, Visual identity and branding at Olivetti which contains further work by Xanti Schawinsky, Renato Zveteremich, Ettore Sottsass, Hans von Klier, Egidio Bonfante and Walter Ballmer.
Read Article
Scan 47 copy 2
  • Design Archive Feature

House Style – Why it important? by Alec Davis

House style can give identity to the diverse products or activities of a firm. It stimulates loyalty, helps to reduce costs, and has advertising value.
Read Article

Members Content

Unimark International and the visual identity of South-African manufacturer, DEFY.
  • Design Archive Feature, Members Only Content

Unimark International and the visual identity of South-African manufacturer, DEFY.

The identity manual consisted of 130 pages of information and brand usage with Arie J. Geurts heading up the project as design director, (who later headed up his own design studio in Los Angeles). The identity uses minimal colour and focuses on a consistent brand blue in all communications.
Read Article
Systematic Surface Design
  • Design Archive Feature

Systematic Surface Design by Tobias Christoph, 1980

Systematic Surface Design eliminating the hindrance of searching for strategies and starting points, allowing designers to quickly find optimal solutions.
Read Article