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Content includes:
Heinz Kröhl – Studio Mendell & Oberer, Munich
Hans Kuh – TYPORAMA
Maria Martini – Rombola, Decorative and Satirical A Cartoonist from NewYork
Jan Berger – An Original Fair Stand at the MACROPAK \’72 in Utrecht, Netherlands
Franz Hermann Wills – The 4th International Poster Biennal, Warsaw 1972
J. J. de Lucio-Mayer – Perspectives of Photographics On the Photos by Arno Hammacher, Milan-London
red. – The Arrow as a Means of Visual Communication, Designs by Ota Yukio, Japan
Jacques Paul Dauriac – The Abstract Art of Patchwork Quilts
Armin Eichholz – Critical Signals
Erich Pfeiffer-Belli – Xartwalls, The \”Artistically Papered Wall\”

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Novum Gebrauchsgraphik, 11, 1972. Cover design by Pierre Mendell
Novum Gebrauchsgraphik, 11, 1972. Cover design by Pierre Mendell
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
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Bäumer gave the company a unique brand image amplifying its graphical image after a time of post-war economic recovery. This style of advertising composition can be seen across many 1960s campaigns, especially from other German designers such as Anton Stankowski.
I have known Rob for over a decade and I have been a huge admirer of his work. He specialises in reverse gilded glass sign making, typographic murals and traditional sign-writing.

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Omnibus was Published by the journalism working group of the Technical University of Braunschweig. A square publication measuring 290mm. The publication included features on politics, arts and culture. With advertisements carefully selected to be in keeping with the visual aesthetic. Content also included exhibition information and a fine example of concrete poetry, among artists such as Schröder-Sonnenstern and Sine Hansen.
A new interpretation of the work of Bramante, suggesting an agenda for contemporary architectural practice.