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Collected Graphic Design History from Design Reviewed

Industrial Design, March, 1959

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Details

  • Format: Magazine
  • Designer/s: James S Ward
  • Year: 1959
  • Client/Publisher: Whitney Publishing
  • Size: 230mm x 300mm

Linked Information

Industrial Design, March, 1959. Cover designed by James S Ward
Industrial Design, March, 1959. Cover designed by James S Ward
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Victor Pasmore, Marlborough, London, 1966
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Victor Pasmore, Marlborough, London, 1966

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Form, No.4, April 1967

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  • Year: 1967
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Further examples of the collaboration of Juan Carlos Distéfano, Ruben Fontana and Carlos Soler

In my previous article about the design work produced for Insituto di Tella, I touched upon the artists Juan Carlos Distéfano, Ruben Fontana and Juan Andralis. After further research, I found a suite of other designs they had produced, including exhibition posters, concert programmes and record sleeves.
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Omnibus 9, University of Braunschweig, 1964. Designed by Udo Zisowsky in collaboration with Peter Riefenstahl, Manfred Bremeler, Ralf Dierig
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Omnibus was Published by the journalism working group of the Technical University of Braunschweig. A square publication measuring 290mm. The publication included features on politics, arts and culture. With advertisements carefully selected to be in keeping with the visual aesthetic. Content also included exhibition information and a fine example of concrete poetry, among artists such as Schröder-Sonnenstern and Sine Hansen.
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Frank René Testemale’s IBM Advertising in France. Scanned from Gebrauchsgraphik, 4, 1964.
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Frank René Testemale’s IBM Advertising in France by Alexandre Alexandre, 1964

IBM puts a premium on functional design, forms and colours which make it far easier for the potential customer to gain an insight. In this respect the IBM methods are exemplary. The IBM already opened studios of artistic and graphic design for its German and Italian offices and a few years ago another such studio was established in Paris. Frank René Testemale was entrusted with its organisation and was appointed its business and art director.
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Parallel Public – Experimental Art in Late East Germany By Sara Blaylock

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