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Form is a German design and culture publication founded in 1957. This cover is one of the many designed by Karl Oskar Blase. Blase was a German painter, sculptor, graphic artist, curator and teacher. He designed numerous posters, stamps and illustrations during his career.

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Form, Internationale Revue 31, September 1965. Designed by Karl Oskar Blase
Form, Internationale Revue 31, September 1965. Designed by Karl Oskar Blase
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
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Many influential British designers have made their names in the history books. Abram Games, Alan Fletcher, Tom Eckersley and Derek Birdsall, to name a few. But one designer that has always influenced me, not only as inspiration from their design output, but as an example of the role of a designer and the importance of having strong ethics, is Ken Garland. He is known for his innovative and socially responsible approach to graphic design and his involvement in the design community through his teaching, writing and activism. In the second instalment of this series, I will discuss Ken Garland's magazine work from my collection.

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Volkswagen commissioned a fantastic range of graphic designers, including Wolf Zimmermann, Hans Looser and Michael Engelmann. The designers amplified the brand image of Volkswagen with strikingly modern designs.
I came across two sample books containing printed examples of the work executed by the students in the Composing and Machine Departments of the Polytechnic School of Printing, between 1907 and 1910. I couldn't resist adding these to the archive.

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In the late 1950s, Hans W. Brose agency, with designers Pierre Mendell, Michael Engelmann, and Klaus Oberer, crafted a compelling, colourless campaign for Bols.