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Collected Graphic Design History from Design Reviewed

Projekt 128, 1, 1979

Information

The Polish Journal of visual art and design

Details

  • Format: Magazine
  • Designer/s: Janusz Stanny
  • Year: 1979
  • Size: 235mm x 310mm

Linked Information

Projekt 128, 1, 1979. Cover design by Janusz Stanny
Projekt 128, 1, 1979. Cover design by Janusz Stanny
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Design Drawing Two, John Rolfe, 1977

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  • Year: 1977
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Eye, Issue 026, Autumn 1997

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World Graphics, Issue 6, 1964
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World Graphics, Issue 6, 1964

  • Format: Magazine
  • Year: 1964
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Members Content

Kast + Ehinger (K+E) Advertisement. Back page of a 1960s issue of Gebrauchsgraphik. Designer Unstated
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The 1950s and 1960s Advertisements of Kast + Ehinger (K+E)

As part of their marketing strategy, Kast + Ehinger, commissioned a selection of German designers to produce advertisements aimed at the design industry. I have scanned in quite a lot of their advertising matter, all of which were back-page advertisements from three German design magazines. Der Druckspiegel, Gebrauchsgraphik and Graphik – Werbung + Formgebung.
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Members Content

Ezio Bonini’s 1950s Advertisements for Linoleum scanned from Gebrauchsgraphik, 08, 1954
  • Design Archive Feature, Members Only Content

Ezio Bonini’s 1950s Advertisements for Linoleum

Ezio Bonini's work for "Società del Linoleum" in Milan, showcasing advertisements designed for various Italian newspapers aimed at expanding the linoleum market
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Oskar Reiner, Automotive Publicity Cover
  • Design Archive Feature

Oskar Reiner’s, Automotive Publicity by Carl Heussner, 1962

Oskar Reiner advertisements for Opel distinguish themselves by clarity and visually appealing conception.
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Leeds Beckett University students utilising the design archive
  • Workshops and Lectures

Inspiring students from Leeds Beckett University

Last month (March 2022), I spoke to over fifty Graphic Design undergraduates about the archive and my passion for design history, after which the students had full access to items in the collection and participated in discourse amongst their peers and lecturers. As part of their critical studies unit, the students will be producing essays and content related to the impact, history and aesthetics of selected artefacts.
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