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Content includes:
Alexandre Alexandre – René Gruau
Karl Emerich Krämer – Not the trade Mark, but the personality! On the Work of Klaus Winterhager
Maria Martini – The poesie of Decay. Photo s by Rudolf René Gebhardt,Stuttgart
Hans Kuh – Granddad’s Calendar is Dead. Long Live the Calendar «’73 Design»
Juliane Roh – The Metamorphosis of Mr. Miracoloss
Raimondo Hrabak – Three Graphic Designers from Rome
Christa Pieske – Letter-Press Vignettes of the 19th Century in Lubeck

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Novum Gebrauchsgraphik, 5, 1973. Cover design by Klaus Winterhager
Novum Gebrauchsgraphik, 5, 1973. Cover design by Klaus Winterhager
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
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Theo Häussler's commercial art is distinguished by its clear and disciplined form and its distinct advertising message.

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I have a real passion for collecting Cinderella stamps and other ephemera and love the artistic and historical value of these items. The scarcity of some Cinderella stamps, especially those associated with significant historical events or rare advertising campaigns, makes them highly sought after in the philatelic world.

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Olle Eksell is well known for his advertising illustration, book jackets and playful packaging design. He first studied engineering and later decided to become a graphic artist. He began his career as a window decorator in 1935, and studied under Hugo Steiner between 1939 and 1941.

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Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.