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Graphic Design History from Design Reviewed

Projekt 048, 3, 1965

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The Polish Journal of visual art and design

Details

  • Format: Magazine
  • Designer/s: Stanisław Dawski
  • Year: 1965
  • Size: 235mm x 310mm

Linked Information

Projekt 48, 3, 1965. Cover design by Stanisław Dawski
Projekt 48, 3, 1965. Cover design by Stanisław Dawski
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Visible Language, Vol 08, 02, Spring 1974
From the design archive:

Visible Language, Vol 08, 02, Spring 1974

  • Format: Magazine
  • Year: 1974
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Museumjournaal, Serie 9 no9/10, 1963. Cover design by Pieter Brattinga.
From the design archive:

Museumjournaal, Serie 9 no9/10, 1963

  • Format: Exhibition Catalogue
  • Designer/s: Pieter Brattinga (cover)
  • Year: 1963
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Novum Gebrauchsgraphik, 4, 1973. Cover design by Malaisé-Pontecorvo
From the design archive:

Novum Gebrauchsgraphik, 4, 1973

  • Format: Magazine
  • Designer/s: Malaisé-Pontecorvo
  • Year: 1973
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Novum Gebrauchsgraphik, 02, 1980
From the design archive:

Novum Gebrauchsgraphik, 02, 1980

  • Format: Magazine
  • Designer/s: Michele Spera
  • Year: 1980
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Banco do Estado de São Paulo Logo designed by Aloísio Magalhães, 1969
  • Design Archive Feature, Members Only Content

The Logos and Symbols of Brazilian Designer, Aloísio Magalhães

Magalhães developed over 180 brands and in addition to developing visual identities, he also developed designs for Brazilian notes and coins.

Members Content

Scan 415
  • Design Archive Feature, Members Only Content

Manifestos on Kinetic Art

Kinetic art refers to art the depends on movement for its desired effect and is closely related to op art. Upon scanning a few of the inner inserts from the Kinetics exhibition catalogue from the Hayward Gallery, London, 1970, I came across these five small manifestos on kinetic art.
The Birth of a Style. The Influence of the Basel Educational Model on Swiss Graphic Design, Triest Verlag, 2024 
  • Design Books

The Birth of a Style The Influence of the Basel Educational Model on Swiss Graphic Design

Founded in 2015, Triest Verlag für Architektur, Design und Typografie have published notable works on graphic design history, including biographies of Othmar Motter, studies on Eugen Gomringer’s typography and poetry, Ernst Keller’s teachings. Thier latest book The Birth of a Style, focuses on the influence of the Basel Educational Model on the evolution of Swiss graphic design into the renowned international style.

Members Content

Advertisements for Bol spirits designed by Atelier Engelmann and Klaus Oberer in late 50s : early 60s Cover
  • Design Archive Feature, Members Only Content

Bols. Advertising Matter from 1958 to 1961 by Engelmann, Mendell and Oberer

In the late 1950s, Hans W. Brose agency, with designers Pierre Mendell, Michael Engelmann, and Klaus Oberer, crafted a compelling, colourless campaign for Bols.