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Blah Blah Blah, #4, July 1996. Designed by Chris Ashworth, Neil Fletcher and Amanda Sissons (Substance)
Blah Blah Blah, #4, July 1996. Designed by Chris Ashworth, Neil Fletcher and Amanda Sissons (Substance)
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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Ian McLaren and Ken Briggs produced exceptional work for a range of clients in the arts and culture sector. Their client included CND (Campaign for Nuclear Disarmament), The National Theatre and the Arts Council.

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Beyond being mere artefacts of design, these examples encapsulate the dynamic changes Japan was undergoing during this period. The design output of this era not only served commercial purposes but also became a powerful medium for expressing these societal shifts.
An article by Jan Tschichold illustrated with examples of publicity produced by Brann of Zürich.

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Katayama worked in several art and design disciplines from graphic design and sculpture to environmental works and sculpture. His design work features rhythms and patterns and has a resemblance to modern jazz and the studies of Josef Albers.