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Content includes:
Ben Shahn. (James Thrall Soby)
Interrelations. (Will Burtin and L.P. Lessing)
AOA, American Overseas Airlines (G.O. Austen)
Booksellers’ Posters in the Romantic Era (W.H. Allner)
Walter Trier. Some of his Lilliput Covers (Georgine Oeri)
The Early Pottery of Islam (Arthur Lane)
Graphic Art on Old Swiss Mill Sacks (A. Rudlinger)
Joan Miro. A Surrealist Mural in an American Hotel (F. Stahly)
New Swiss Posters (Georgine Oeri)
Stands at the Swiss Industries Fair Basle (H. Neuburg)
Calixte. Advertising and Elegance (Colette Vasselon)
Reflections on Original Lithography (R. Wehrlin)
Thomas Theodor Heine (Ernst Penzoldt)
Jo vol Kalckreuth (Axel von Ambesser)
Enrico Bo. A Young Painter in his Old Days (Fabrizio Clerici)

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Graphis 22, 1948. Cover design by Jacques Nathan-Garamond
Graphis 22, 1948. Cover design by Jacques Nathan-Garamond
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Marin Lorenz has had an amazing career, designing for clients such as ESPN and Nike, teaching at some of Europe's leading design schools and publishing books, such as Flexible Visual Sytems, documenting his research and approach to design practice.
Support American Bauhaus on Kickstarter to pre-finance the project and its production: www.kickstarter.com/projects/908813786/american-bauhaus
An advertising programme is fully integrated only when its effect is powerful enough to play a major part in determining a corporate image. Geigy advertising is an example of this successful integration.

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He designed stamps from around 1955 and in the book Karl Oskar Blase, Briefmarken-Design, Verlag für Philatelistische Literatur, 1981, he was described as one of the most influential stamp designers in Germany.