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Content includes:
Armin Kesser, Zurich: Ben Nicholson
Mary Gowing, London: Hans Schleger
Manuel Gasser, Zurich: Swiss Posters 1960
William B. McDonald, London: Elle.A New Trend in French Magazine Design
Claudio Bianconi, Milano: Marco Biassoni
Dott. Lidia Crescini, Milano: Andrea Mantegna. The Bridal Chamber in the Ducal Palace at Mantua
Dr. Willy Rotzler, Zurich: The Art Directors Club of New York.39th Exhibition of Advertising and Editorial Art
A. Hyatt Major, New York: J.J. Audubon. Draughtsman of the Birds of America
Hans Pflug, Zurich: Andre and Pierre Gonin’s Limited Editions

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Graphis 93, 1961. Cover design by Ben Nicholson.
Graphis 93, 1961. Cover design by Ben Nicholson.
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
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The best poster designs from Die besten Plakate des Jahres 1956 with a translated foreword by Jakob Rudolf Welti. Featuring the work of Herbert Leupin, Carl B. Graf, Carlo Vivarelli and Emil Ruder.
When Fritz Gottschalk and Stuart Ash joined forces in Montreal, it was a partnership ideally suited to the city's hybrid environment. Gottschalk's training in graphic design in Switzerland, Paris and London was rigid, his background European; Ash, Canadian born and educated, was trained in the North American fashion, though he was influenced by his work with European designers
The versatility of the arrow sign knows no bounds – from thin lines exuding delicacy to thick, heavy-set lines conveying stability and weight. Depending on its construction, the arrow sign can speak with individuality, even possessing psychological and emotional expression.

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Karl Oskar Blase was born in 1925 in Cologne, Germany. He was a prolific painter, designer, sculptor and exhibition curator. His work included magazine covers, for publications such as Form and Gebrauchsgraphik, stamp designs for the German Postal Service and film posters for companies such as Atlas Films.