Join the Mailing List

Membership

Graphic Design History from Design Reviewed

Museumjournaal, Serie 24 no1, 1979

Information

Details

  • Format: Exhibition Catalogue
  • Designer/s: Jan van Toorn
  • Year: 1979
  • Client/Publisher: stichting kustpublicaties
  • Size: 175mm x 250mmm

Linked Information

Museumjournaal, Serie 24 no1, 1979. Cover design by Jan van Toorn.
Museumjournaal, Serie 24 no1, 1979. Cover design by Jan van Toorn.

 

Museumjournaal, Serie 24 no1, 1979. Cover design by Jan van Toorn.
Museumjournaal, Serie 24 no1, 1979. Cover design by Jan van Toorn.
More graphic design artefacts
Gebrauchsgraphik, 05, 1932
From the design archive:

Gebrauchsgraphik, 05, 1932

  • Format: Magazine
  • Designer/s: Andreas Niessen
  • Year: 1932
View Artefact
Typographische Mitteilungen, 21 Jahrgang, Sirbentes Heft, July 1924
From the design archive:

Typographische Mitteilungen, 21 Jahrgang, Sirbentes Heft, July 1924

  • Format: Magazine
  • Year: 1924
View Artefact
Graphic Design 57, 1975. Cover design by Shigeo Fukuda
From the design archive:

Graphic Design 57, 1975

  • Format: Magazine
  • Designer/s: Shigeo Fukuda
  • Year: 1975
View Artefact
22 Jonge Zwitsers, Stedelijk Museum, Amsterdam, 1969 designed by Wim Crouwel and Jolijn van de Wouw (Total Design)
From the design archive:

22 Jonge Zwitsers, Stedelijk Museum, Amsterdam, 1969

  • Format: Exhibition Catalogue
  • Designer/s: Wim Crouwel and Jolijn van de Wouw (Total Design)
  • Year: 1969
View Artefact

view more of the graphic design archive

More graphic design history articles

Members Content

What has been said about the styling of advertisements goes for the field of publicity for chemical and pharmaceutical products as well. Whether it is a soporific, an analgetic or a protein remedy for defects of malnutrition - nearly without a single word, the efficiency of the product in question is symbolically characterized in the composition and the choice of colours equally to the point, on the covers of these prospectuses. Suppositions for such achievements are the highest level and a freedom of artistic means which our businessmen, when employing commercial artists, are only too seldom ready to grant. Designs Matthew Leibowitz
  • Design Archive Feature, Members Only Content

Advertising Pharmaceuticals, A Comparison of German and American Advertising in 1950

As a chemist, I have an obligation to be curious – I grab a stack of our chemical journals and start with the advertising section. I start it, the walk through the sand. I don’t want to deny some oases. But soon I’m bored and tired.

Members Content

karl-oskar-blase-design-graphic
  • Designer Profile, Members Only Content

Karl Oskar Blase

Karl Oskar Blase was born in 1925 in Cologne, Germany. He was a prolific painter, designer, sculptor and exhibition curator. His work included magazine covers, for publications such as Form and Gebrauchsgraphik, stamp designs for the German Postal Service and film posters for companies such as Atlas Films.

Members Content

Olympia Advertising, late 1950s - early 1960s. Desigend by A. E. Wuttke
  • Design Archive Feature, Members Only Content

Advertising and Information. Design for Olympia-Werke AG

The collection of works I've gathered, designed for Olympia-Werke, showcases the height of mid-century German commercial artistry. The work was collated in a branded folder and contained forty brochures, advertisements and manuals.

Members Content

Otl Aicher - The Waters of Badgastein Poster
  • Design Archive Feature, Members Only Content

The Publicity Design for Gastein Valley by Otl Aicher

One of Otl Aicher's lesser-known works was the identity and publicity for the Gastein Valley. Gastein valley was a resort for the elderly, an Austrian Alpine village in the Austrian state of Salzburg