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Fodor 33, 1976 - Gielijn Escher, Affiches. Designed by Wim Crouwel and Daphne Duijvelshoff (Total Design)
Fodor 33, 1976 – Gielijn Escher, Affiches. Designed by Wim Crouwel and Daphne Duijvelshoff (Total Design)
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
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I have been reproached for this, and I will surely be reproached again. I have also been reproached for reading more and more obscure works whose readership must be limited to a handful of specialists and a few hobbyists like myself. It’s a heavy passion or a passion that sucks.

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The 1960 awards presented 420 poster entries from Swiss designers. Notable winners included Robert Büchler's typographic poster for the Museum of Applied Arts Basel and J. Müller-Brockmann’s Der Film poster for the Museum of Applied Arts and Gerstner + Kutter's asymmetric typographic poster for National-Zeitung SA Basel.

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The collection of works I've gathered, designed for Olympia-Werke, showcases the height of mid-century German commercial artistry. The work was collated in a branded folder and contained forty brochures, advertisements and manuals.

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The advertising agency played a crucial role in shaping consumer culture by acting as a bridge between businesses and the media and was stated to have started in the mid-19th century.