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Collected Graphic Design History from Design Reviewed

Graphis Annual 1970|71

Information

International annual of advertising graphics

Details

  • Format: Book
  • Designer/s: Tomi Ungerer
  • Year: 1970
  • Client/Publisher: Graphis Inc
  • Size: 240mm x 300mm

Linked Information

Graphis Annual 1970|71. Cover design by Tomi Ungerer
Graphis Annual 1970|71. Cover design by Tomi Ungerer
More graphic design artefacts
L'Age Nouveau - Revue n°9, 1938
From the design archive:

L’Age Nouveau – Revue n°9, 1938

  • Format: Magazine
  • Year: 1938
View Artefact
Jazz Journal, 2, 1970. Cover design by Cal Swann
From the design archive:

Jazz Journal, 2, 1970

  • Format: Magazine
  • Designer/s: Cal Swann
  • Year: 1970
View Artefact
Graphis 133, 1967, Cover design by Milton Glaser.
From the design archive:

Graphis 133, 1967

  • Format: Magazine
  • Designer/s: Milton Glaser
  • Year: 1967
View Artefact
Philobiblon. Jahrgang 23. Heft 1. März 1979.
From the design archive:

Philobiblon. Jahrgang 23. Heft 1. März 1979

  • Format: Book
  • Year: 1979
View Artefact

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More graphic design history articles

Members Content

Cinderella - Stuttgart, Bundesn Gartenschau, 1961
  • Design Archive Feature, Members Only Content

Cinderella. A selection of Publicity Stamps and Stickers

I have a real passion for collecting Cinderella stamps and other ephemera and love the artistic and historical value of these items. The scarcity of some Cinderella stamps, especially those associated with significant historical events or rare advertising campaigns, makes them highly sought after in the philatelic world.
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Scan 143 copy 5
  • Design Archive Feature

Geigy Chemical Corporation, USA. An Example of Integrated Advertising by William B. McDonald

An advertising programme is fully integrated only when its effect is powerful enough to play a major part in determining a corporate image. Geigy advertising is an example of this successful integration.
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Poster designed by Ernst L. Franke
  • Design Archive Feature

The Inventive Publicity of Austria, 1930 by John Harrison

A country is never dead so long as it has an art. Austria is a proof of this maxim. Its liveliness since the war is liveliness which has displayed itself in the arts to a remarkable extent : it deserves the world's admiration and respect.
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Armin Hofmann, Stadttheater Basel, 1961, Scanned from Gebrauchsgraphik, 4, 1962
  • Design Archive Feature

Armin Hofmann and the Stadttheater Basel by Jürg Federspiel, 1962

Armin Hofmann's publicity for the Stadttheater Basel. The client, in this case, the Municipal Theater of Basel, refused to listen to narrow-minded critics, in spite of the fact that as a state-subsidized enterprise it is accountable to public opinion.
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