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Content includes:
Mario Antonio Arnaboldi – The game: aspects of social structures
Antonio Acuto – Olympic cities
John Klaus Koenig – Thirties: the space for recreation
Maurizio Romanò – Splendor and popular bar sunset
Giovanni Baule, Wando Pagliardini – From the ivory ball to the electronic ball
M. Cristina Tonelli Michail – Starting from Zizì
Mario Antonio Arnaboldi – Who says ball says …
Luigi Bearzotti – The bike
Roberto Segoni, Carlo Camarlinghi – The motorbike
Giuseppe Chigiotti – Interior in a vacation home
Sergio Mazza, Giuliana Gramigna – Blue to the sea
Giuseppe Buscaglia – For research, for production
Cortesi, Fantoni, Facchetti, Orsoni – Alitalia agencies in the world
Cini Boeri – Pacific
Cini Boeri – Malibu
Vico Magistretti – Veranda
Massimo Morozzi – Varied
Arata Isozaki – Monroe
Cini Boeri – Shadow
Giancarlo Frattini – Sesame
Antonio Citterio, Paolo Nava – Factory
Massimo Morozzi – Tangram
Tobia Scarpa – Capalonga
Michele De Lucchi – Cyclos
Örni Halloween – Daphne
De Pas, D’Urbino, Lomazzi – Sidon
Ernesto Gismondi – Tirso and Theseus
Marco Fantoni – In London
Studio Vignelli Associates – In Los Angeles

Direction: Sergio Mazza
Editing: Giuliana Gramigna
Graphics: Salvatore Gregorietti (Unimark)

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Ottagono 71, 1983. Designed by Salvatore Gregorietti (Unimark)
Ottagono 71, 1983. Designed by Salvatore Gregorietti (Unimark)v
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I have known Rob for over a decade and I have been a huge admirer of his work. He specialises in reverse gilded glass sign making, typographic murals and traditional sign-writing.

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Blase’s long-term clients were Staatstheater Kassel (Kassel State Theater) and Atlas Films. Karl Oskar Blase produced countless posters for these two organisations. It’s not surprising considering Blase designed posters for the Staatstheater for twelve years between 1966 and 1978. 
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