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Museumjournaal, Serie 19 no2, 1974. Cover design by Frans Evenhuis
Museumjournaal, Serie 19 no2, 1974. Cover design by Frans Evenhuis

 

Museumjournaal, Serie 19 no2, 1974. Cover design by Frans Evenhuis
Museumjournaal, Serie 19 no2, 1974. Cover design by Frans Evenhuis
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
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Wolfgang Bäumer's advertising design for Bayer, Klöckner Works and the Lottery. His adaptable design aesthetic alongside his skills of convening messaging through visuals are fantastic examples of mid-century German graphic design.

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The best poster designs from Die besten Plakate des Jahres 1957 with a translated foreword by Walter Kern. Featuring the work of J. Müller-Brockmann, Gottlieb Soland, Mary Vieira and Celestino Piatti.
When Fritz Gottschalk and Stuart Ash joined forces in Montreal, it was a partnership ideally suited to the city's hybrid environment. Gottschalk's training in graphic design in Switzerland, Paris and London was rigid, his background European; Ash, Canadian born and educated, was trained in the North American fashion, though he was influenced by his work with European designers
I have been reproached for this, and I will surely be reproached again. I have also been reproached for reading more and more obscure works whose readership must be limited to a handful of specialists and a few hobbyists like myself. It’s a heavy passion or a passion that sucks.