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Published by the journalism working group of the Technical University of Braunschweig. Editors included Werner Steffens (later mayor of Braunschweig). The fantastic graphic design was by Manfred Bremeier and Udo Zisowsky. The publication includes articles on politics, art and culture.

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Omnibus 12, University of Braunschweig, 1965. Designed by Udo Zisowsky
Omnibus 12, University of Braunschweig, 1965. Designed by Udo Zisowsky
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
The background of Kamekura's mark designs is his boldness in eliminating all the waste, combining simplification derived from Japanese traditional family crests and Western intellectual mechanics of formation with a sharp modern sense of composition.
Among the young graphic artists of Berlin, who set to work after the war, Hans Adolf Albitz and Ruth Albitz-Geiß can claim special attention. In a short time, at a period when economic conditions were pretty unfavourable, they worked themselves so to the fore that their names came to mean something in Berlin publicity, and in western Germany their posters are known and appreciated, too.

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Beyond being mere artefacts of design, these examples encapsulate the dynamic changes Japan was undergoing during this period. The design output of this era not only served commercial purposes but also became a powerful medium for expressing these societal shifts.
Systematic Surface Design eliminating the hindrance of searching for strategies and starting points, allowing designers to quickly find optimal solutions.