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Content includes:
Keiji Uematsu: Seeing-stone
Richard Hartwell’s Paper News
Martin Krampen: Hinweise gibt es überall
Walter Bergmoser: Schattenwandler
Rainer Maria Rilke
Erich Fried
William Carlos Williams
E. E. Cummings
Augusto de Campos
Décio Pignatari
André Vallias
Tommasoli: Andenken, mit einem Text von Claire Bonney
Dmitri Lawrow: Als St. Petersburg noch Leningrad hieß
Claus Heinrich Meyer: Nebenwirkungen
Andrew Lanyon: Gedacht, gemalt, geschrieben
Frank Horvat: Ver Augenblicke
Roland Topor: Seiten aus seinem Notizbuch
Great Ideas – eine Anzeigenkampagne der Container Corporation of America
Wolfgang Schmidt
octavo, eine Art Zeitschrift aus London
Die Zeichnung auf dem Titel: Alan Fletcher, London

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HQ- High Quality, Heft 21 3/1991. Designed by Büro Rolf Müller
HQ- High Quality, Heft 21 3/1991. Designed by Büro Rolf Müller
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
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This 1,500 word essay focused on the work of Jan Bons. One of the most prominent figures in Dutch design history. For over three-quarters of a century, he crafted a mass of work with many long-time collaborators.
The Cuban film poster conveys the spirit and ideals of the Cuban revolution. A time of political change, an uprising that ended the brutal dictatorship of Fulgencio Batista. The Danish Film Institute have a collection of Cuban Film Posters from the past 50 years.
In minor printed matter we constantly meet the new typography, but it is relatively rare to find posters designed on the new lines. And yet poster-designing is a field where new typographical methods might be employed with great effect.
I came across two sample books containing printed examples of the work executed by the students in the Composing and Machine Departments of the Polytechnic School of Printing, between 1907 and 1910. I couldn't resist adding these to the archive.