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Graphic Design History from Design Reviewed

Interiors, September 1954

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  • Format: Magazine
  • Designer/s: Andy Warhol
  • Year: 1954
  • Client/Publisher: Whitney Publications
  • Size: 225mm x 302mm

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Interiors, September 1954. Cover design by Andy Warhol
Interiors, September 1954. Cover design by Andy Warhol
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Graphis 62, 1955. Cover design by Ben Shahn
From the design archive:

Graphis 62, 1955

  • Format: Magazine
  • Designer/s: Ben Shahn
  • Year: 1955
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Design, Council of Industrial Design, 138, June 1960. Cover design by Ken Garland
From the design archive:

Design, Council of Industrial Design, 138, June 1960

  • Format: Magazine
  • Designer/s: Ken Garland
  • Year: 1960
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Die Bettleroper. Die Kleine Filmkunstreihe 27 designed by Hans Hillmann
From the design archive:

Die Bettleroper. Die Kleine Filmkunstreihe 27

  • Format: Film Programme
  • Designer/s: Hans Hillmann
  • Year: 1962
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Architectural Design, September 1965. Cover design by Theo Crosby
From the design archive:

Architectural Design, September 1965

  • Format: Magazine
  • Designer/s: Theo Crosby
  • Year: 1965
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Poster for Nikon 1954, designed by Yusaku Kamekura. Scanned from Creation No.21, Yusaku Kamekura Issue, 1998
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Kupka, Stedelijk Museum, Amsterdam, 1968 designed by Wim Crouwel (Total Design)
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Wim Crouwel and the Stedelijk Museum

Crouwel was the successor to Willem Sandberg who used an avant-garde approach in his work, utilising torn-paper montage, mixing of sans serif and old Egyptian typefaces and often off-center positioning. Crouwel steered away from this artistic approach and implemented a cohesive design system and a strong identity that emulated the corporate identity boom of the 1950s and 60s.

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  • Design Archive Feature, Members Only Content

And So…the Needlework Development Scheme

Both the And So To Embroider & And So to Sew bulletins were published by the Needlework Development Scheme. Established in 1934 and operating until 1961, the scheme was a partnership between educational establishments (Scottish art schools, Aberdeen, Dundee, Edinburgh and Glasgow) and industry.
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Designers and Books Series – Mark Bloom

Mark Bloom has designs for globally recognised brands, produces some of the finest, most accessible modern typefaces and heads up Mash Creative and CoType Foundry. His type foundry has always been a port of call for our studio's brand projects and he continues to develop these, each with a fantastic print specimen.