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Editor(s): Simon Johnston, Mark Holt, Hamish Muir and Michael Burke.
“The editors took a modernist stance – each issue was at the cutting edge of what was possible with typesetting, reprographics and print, produced at a time when the industry was transitioning from analogue to digital. The first 6 issues and aspects of the 7th issue were analogue based. Each of the printed issues was 16pp A4 format with 4pp cover and 8pp semi-transparent jacket. The typeface used throughout was Scangraphic Unica.” Mark Holt, Editor

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Octavo Issue 88.2, 1986. Designed and edited by 8VO
Octavo Issue 86.2, 1986. Designed and edited by 8VO
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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Ian McLaren and Ken Briggs produced exceptional work for a range of clients in the arts and culture sector. Their client included CND (Campaign for Nuclear Disarmament), The National Theatre and the Arts Council.
The stories of Norwich’s medieval merchants’ marks is being told in a new book and exhibition.

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Jazz Journal was first published in 1946 by Sinclair Traill, who also had some of his photographs used on the covers. The magazine is now online but remained in print for several decades, as Britain's longest enduring jazz magazine.

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I have a real passion for collecting Cinderella stamps and other ephemera and love the artistic and historical value of these items. The scarcity of some Cinderella stamps, especially those associated with significant historical events or rare advertising campaigns, makes them highly sought after in the philatelic world.