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Collected Graphic Design History from Design Reviewed

Letterproef Helvetica, Type specimen

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  • Format: Type Specimen
  • Size: 208mm x 296mm

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Letterproef Helvetica, Type specimen
Letterproef Helvetica, Type specimen
More graphic design artefacts
Japan Airlines, 16 Vintage Travel Brochures, 1965-67
From the design archive:

Japan Airlines, 14 Vintage Travel Brochures, 1965-67

  • Format: Brochures
  • Year: 1965/66
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Josef Mánes designed by Ludislav Sutnar
From the design archive:

Josef Mánes

  • Format: Advertisement
  • Designer/s: Ludislav Sutnar
  • Year: 1941
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HQ- High Quality, Heft 33 3/1995. Designed by Büro Rolf Müller
From the design archive:

HQ- High Quality, Heft 33 3/1995

  • Format: Magazine
  • Designer/s: Rolf Müller
  • Year: 1995
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World Festival of Youth and Students, Sofia, German Democratic Republic, Stamps, 1968. Designed by Rudolf Platzer
From the design archive:

World Festival of Youth and Students, Sofia, German Democratic Republic, Stamps, 1968

  • Format: Stamps
  • Designer/s: Rudolf Platzer
  • Year: 1968
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More graphic design history articles

Members Content

Ballet 71, Staatsheater Kassel, 1971. Designed by Karl Oskar Blase
  • Design Archive Feature, Members Only Content

The Poster Designs of Karl Oskar Blase

Blase’s long-term clients were Staatstheater Kassel (Kassel State Theater) and Atlas Films. Karl Oskar Blase produced countless posters for these two organisations. It’s not surprising considering Blase designed posters for the Staatstheater for twelve years between 1966 and 1978. 
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Members Content

What has been said about the styling of advertisements goes for the field of publicity for chemical and pharmaceutical products as well. Whether it is a soporific, an analgetic or a protein remedy for defects of malnutrition - nearly without a single word, the efficiency of the product in question is symbolically characterized in the composition and the choice of colours equally to the point, on the covers of these prospectuses. Suppositions for such achievements are the highest level and a freedom of artistic means which our businessmen, when employing commercial artists, are only too seldom ready to grant. Designs Matthew Leibowitz
  • Design Archive Feature, Members Only Content

Advertising Pharmaceuticals, A Comparison of German and American Advertising in 1950

As a chemist, I have an obligation to be curious – I grab a stack of our chemical journals and start with the advertising section. I start it, the walk through the sand. I don’t want to deny some oases. But soon I’m bored and tired.
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Poster designed by Ernst L. Franke
  • Design Archive Feature

The Inventive Publicity of Austria, 1930 by John Harrison

A country is never dead so long as it has an art. Austria is a proof of this maxim. Its liveliness since the war is liveliness which has displayed itself in the arts to a remarkable extent : it deserves the world's admiration and respect.
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Members Content

The design work of Olle Eksell
  • Designer Profile, Members Only Content

Olle Eksell

Olle Eksell is well known for his advertising illustration, book jackets and playful packaging design. He first studied engineering and later decided to become a graphic artist. He began his career as a window decorator in 1935, and studied under Hugo Steiner between 1939 and 1941.
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