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I Delaunay e la grafica | The Delaunays and Graphic Design by Carlo Belloli
Grafica sperimentale | Experimental Graphics | Art graphique expérimental by Leo Lionni
Miscellanea Britannica by Franciszka and Stefan Themerson
Manifesto romantico e manifesto operativo | Romantic Posters and Operational Posters | Affiche romantique et
affiche utilitaire by Armando Testa
Esame de « Il Giorno» by Ignazio Weiss
Documentazione grafica internazionale | International Graphic Documentation | Documentation international d’art graphique
George Nelson, Ettore Sottsass, Booth Waddicor, Japanese posters for experimental theatre, Chermayeff & Geismar, Ennio Lucini, Ricardo Manzi, Giulio Confalonieri e Ilio Negri, Eugene Feldman, Angelo Mangiarotti, Pino Tovaglia, Erberto Carboni, Mario Dagradä, Walter Ballmer, Compasso d’oro
Pagina, sezione tecnica | Pagina, Technical Section | Pagina, section technique by Dycril
Set in Monotype Placard Bold Condensed no. 2

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Pagina, No. 2 June 1963. Cover design by Bob Noorda
Pagina, No. 2 June 1963. Cover design by Bob Noorda

 

Pagina, No. 2 June 196
Pagina, No. 2 June 196
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
A few years ago the publicity department of Siam di Tella found a collaborator who early in his studies of architecture was attracted by the problems of visual art. His name is Guillermo González Ruiz he was born in Chascomus (Province of Buenos Aires) in 1937. Between 1957 and 1960 he received 18 awards in poster competitions, some of which were of particular importance.
Unit Editions launches Fred Troller Design on Volume – the first comprehensive survey of the work of a pioneering designer who brought Swiss modernism to America in the 1960s, via influential projects for clients including IBM, American Airlines and Geigy.

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Wolfgang Bäumer's advertising design for Bayer, Klöckner Works and the Lottery. His adaptable design aesthetic alongside his skills of convening messaging through visuals are fantastic examples of mid-century German graphic design.

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As part of their marketing strategy, Kast + Ehinger, commissioned a selection of German designers to produce advertisements aimed at the design industry. I have scanned in quite a lot of their advertising matter, all of which were back-page advertisements from three German design magazines. Der Druckspiegel, Gebrauchsgraphik and Graphik – Werbung + Formgebung.