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Collected Graphic Design History from Design Reviewed

Information, 7, 1933

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  • Format: Magazine
  • Designer/s: Max Bill
  • Year: 1933
  • Size: 150mm x 210mm

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Information, 7, 1933 designed by Max Bill
Information, 7, 1933 designed by Max Bill
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Graphik - Werbung + Formgebung, 11, 1953. Cover design by Edwin Holthaus
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Graphik – Werbung + Formgebung, 11, 1953

  • Format: Magazine
  • Designer/s: Edwin Holthaus
  • Year: 1953
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The Journal of Decorative and Propaganda Arts 21, Brazil Theme Issue 1995
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The Journal of Decorative and Propaganda Arts 21, Brazil Theme Issue, 1995

  • Format: Magazine
  • Year: 1995
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Fodor 38, 1977 - Anton Martineau. Designed by Wim Crouwel and Daphne Duijvelshoff (Total Design)
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Fodor 38, 1977 – Anton Martineau

  • Format: Exhibition Catalogue
  • Designer/s: Wim Crouwel and Daphne Duijvelshoff (Total Design)
  • Year: 1977
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Domov, bytová kultura a technika v domácnosti - 5/1966
From the design archive:

Domov, bytová kultura a technika v domácnosti – 5/1966

  • Format: Magazine
  • Designer/s: Mirek Juna
  • Year: 1966
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Pino Tovaglia’s Advertisements for Finmeccanica, 1950s. Scanned from Gebrauchsgraphik, 10, 1955
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Pino Tovaglia’s Advertisements for Finmeccanica

His distinctive style echoes the artistic expressions of fellow Italian designers Giovanni Pintori and Erberto Carboni. Tovaglia's mastery in taking concepts and translating them into visually compelling narratives is evident in this selection of advertisements I have scanned from Gebrauchsgraphik, 10, 1955.
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House Style – Why it important? by Alec Davis

House style can give identity to the diverse products or activities of a firm. It stimulates loyalty, helps to reduce costs, and has advertising value.
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The book "Modern Man In The Making" (1939), is a fantastic example of Neurath's work. The book uses Isotype's principles with text to illustrate complex societal issues like globalisation and war's impact on economies, prioritising visual recognition through symbols to aid in memorability—a philosophy that remains paramount in design today.
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The Publicity of Radio Free Berlin, Text by Franz-Hermann Wills, 1966

The transformation of Radio Free Berlin's publicity from dark and provincial to striking and imaginative. Cultural announcements and radio programs designed by Hans Förtsch, Sigrid von Baumgarten, and Reinhart Braun
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