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Content includes:
Emil MUNDINGER On the problem of training engineers for the graphic arts
WALTER MEHNERT Failed journeyman exams
DR. KARL RUF Some hints on wage accounting
HELMUT WEYGANDT True letter characters
Time waste in hand- and single-type composition
AUGUST WIESCHENDORF Spacing and justifying of slug composition
DR. WERNER P. HEYD Our orthographic competition on interpunctuation
DR. OSKAR BUCHMANN Words are not sacrosanct
R. REMMERT The 3M makeready process
A. BOLLIGER The future of sheet-fed rotaries
H. MAIER Form printing
Experiments to determine etching and gumming behaviour of zinc plates
HARALD KÜPPERS Engraved blocks
Notes on standardisation of basic ink shades for ink mixing in letterpress
THE SPECIAL SUPPLEMENTS
Business stationery for printers
Results of our design exercise 1/61

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Linked Information

Der Druckspiegel, 04, April 1961
Der Druckspiegel, 04, April 1961

 

Der Druckspiegel, 04, April 1961
Der Druckspiegel, 04, April 1961

 

Der Druckspiegel, 04, April 1961
Der Druckspiegel, 04, April 1961
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

He designed stamps from around 1955 and in the book Karl Oskar Blase, Briefmarken-Design, Verlag für Philatelistische Literatur, 1981, he was described as one of the most influential stamp designers in Germany.
An article by Jan Tschichold illustrated with examples of publicity produced by Brann of Zürich.
Elizabeth Resnick is a Professor Emerita, former chairperson of the Graphic Design Department, and current part-time faculty at Massachusetts College of Art and Design, Boston, Massachusetts, since 1977. She ran her own independent Boston design studio from 1973 to 1996, working with many high-profile clients and is a passionate design curator who has organized seven comprehensive design exhibitions. I interviewed Elizabeth about her journey in the field, her early influences and some of the many items in her collection.