Information

Content includes:
Grundlagen:
J. Schmidt, Was Spielen ist
Chr. Weiser, Schafft Spielraum
Produkt-Design:
H. Werner, Fun Cars Autos zum Spielen
H. Seeger, „Er muss uns noch etwas mer machen”
2 Wettbewerbe, die Ideen bringen sollten : 3M und 3K
E. Pumpe-Krüger, Design- Ideen zum Thema Schaum
Designer- Forum Ottobeuren
Grafik-Design:
K. Winterhager, Eine Stadt will eine Stadt werden – „, Erscheinungsbild Leverkusen”
H. Wöhrle, Zur Gestaltung einer Briefmarkenserie
P. v. Kornatzki, Syntaktisch ist die CSU in Ordnung – Wettbewerb ,,Grafik Design Deutschland ’69/70″
form-Forum:
H. Bauer, „,In separaten Häufchen herumoperieren?”‘ (IG Kultur)
form-Interview:
,,Die Designer-Ausbildung ist katastrophal” Briefe der Industrie, Empfehlungen der Studenten
Markt:
Produkte, gesehen und notiert

Details

Linked Information

 Form, Internationale Revue 53, 2, 1971
Form, Internationale Revue 53, 2, 1971
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

In 1964, Sugiura was commissioned by the magazine Design to design each of their twelve monthly cover designs. Creating a series of systems which set the foundations for the design.

Members Content

The 1960 awards presented 420 poster entries from Swiss designers. Notable winners included Robert Büchler's typographic poster for the Museum of Applied Arts Basel and J. Müller-Brockmann’s Der Film poster for the Museum of Applied Arts and Gerstner + Kutter's asymmetric typographic poster for National-Zeitung SA Basel.
A review of the memorial exhibition of Edward McKnight Kauffer at the Victoria and Albert Museum in 1955 by F.H.K. Hernion

Members Content

Bäumer gave the company a unique brand image amplifying its graphical image after a time of post-war economic recovery. This style of advertising composition can be seen across many 1960s campaigns, especially from other German designers such as Anton Stankowski.