Information

Content includes:
Kongresse, Tagungen:
F. Seitz, Vis-Com 71 – Flucht in den Bildungsbetrieb
P. v. Kornatzki, Education Design – Design der Unmündigkeit? (ICOGRADA)
Grafik-Design: K.-D. Stoffers, Aus einem anonymen
Produkt-Design:
Gerät eine Marke machen (Gardena) K. Ritter, ,,ab an Jac”
G. Müller-Krauspe, Zum dritten Mal: Bundespreis Gute Form
Visiona 3″ von Oliver Mourque
Produkt-Kritik: Rowenta Toastgrill TO -92
Packungs-Design:
Umweltschmutz im Einkaufsnetz
9. Deutscher Verpackungs-Wettbewerb
form-Forum:
J. S. Ocón, Keine Zeit für den Designer von morgen?
Grundlagen:
R. Griffel, Zur wirtschaftlichen Situation der Freiberuflichen und Angestellten
Modelle für die Praxis:
,,Grafik- Designer Studienprogramm”
P. Steinacker, VDID-Seminar: E. Reichel, Ablauf eines Design-Auftrages
J. Hämer, Kostenrechnung
Markt:
Produkte, gesehen und notiert

Details

Linked Information

Form, Internationale Revue 54, 3, 1971
Form, Internationale Revue 55, 3, 1971
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Gregory Vines' design and process behind the Typographische Monatsblätter 1978 covers. From the initial inspiration drawn from Bellinzona's gate to the process of film montage, resulting in six stunning cover masterpieces.

Members Content

As a chemist, I have an obligation to be curious – I grab a stack of our chemical journals and start with the advertising section. I start it, the walk through the sand. I don’t want to deny some oases. But soon I’m bored and tired.

Members Content

I have a real passion for collecting Cinderella stamps and other ephemera and love the artistic and historical value of these items. The scarcity of some Cinderella stamps, especially those associated with significant historical events or rare advertising campaigns, makes them highly sought after in the philatelic world.

Members Content

When perusing vintage publications, I often stumble upon forgotten or undocumented gems. In this article, I compare two remarkable advertisements designed for Sprengel Ltd byHerbert Zumpe and Karl Otto Goetz