Information

Content includes:
Redaktionele inleiding
Communicate in en communicatie-industrie
Management in de Europese grafische industrie
Typografie bij bewegwijzering
Naar nieuwe ‘fijne’ onderwijsvormen
Automatisering in de kleurenreproduktie
Flexografische drukinkten
Kort

Details

Linked Information

Graficus Revue, 03, August 1971. Designed by Paul Mijksenaar
Graficus Revue, 03, August 1971. Designed by Paul Mijksenaar
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

The identity manual consisted of 130 pages of information and brand usage with Arie J. Geurts heading up the project as design director, (who later headed up his own design studio in Los Angeles). The identity uses minimal colour and focuses on a consistent brand blue in all communications.
The graphic designer had to create a series of ads whose new publicity effects were to confirm or accentuate the already existing • image • of the paper. In this case, the planning was not based on a would-be psychological analysis of the reading public.

Members Content

He designed stamps from around 1955 and in the book Karl Oskar Blase, Briefmarken-Design, Verlag für Philatelistische Literatur, 1981, he was described as one of the most influential stamp designers in Germany.
A few years ago the publicity department of Siam di Tella found a collaborator who early in his studies of architecture was attracted by the problems of visual art. His name is Guillermo González Ruiz he was born in Chascomus (Province of Buenos Aires) in 1937. Between 1957 and 1960 he received 18 awards in poster competitions, some of which were of particular importance.