Graphic Design 15, 1964

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Content includes:
Emblem of Japan / A cross section / Kosaku Ito
Tadao Ujihara Works / Kinkichi Takahashi
North, South, East, West / Masaru Katsumi
Karl Gerstner and the Ideograph Problem
thyme company direct mail
150th anniversary of Bodoni’s death
Package design for Gold Scholl
Death of Fritz Bühler
Champion Paper booklet
The Roots of Shiseido Design / Fumio Yamana
Printing Design Laboratory ⑯ Four Seasons by Karaoshi / Ikko Tanaka, Sadao Sugaya
Isamu Kenmochi’s Display / Iwataro Koike
World Rookie Prospects ⑩ / Masaru Katsumi
Yuito Nadamoto
Ryokichi Ozawa
Yuzo Yamashita

Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.

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Graphic Design 15, 1964. Cover design by Tadao Ujihara
Graphic Design 15, 1964. Cover design by Tadao Ujihara
Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
I have known Rob for over a decade and I have been a huge admirer of his work. He specialises in reverse gilded glass sign making, typographic murals and traditional sign-writing.
Flexible Visual Systems is the design manual for contemporary visual identities. It teaches you a variety of approaches on how to design flexible systems, adjustable to any aesthetic or project in need of an identifiable visual language.
When Fritz Gottschalk and Stuart Ash joined forces in Montreal, it was a partnership ideally suited to the city's hybrid environment. Gottschalk's training in graphic design in Switzerland, Paris and London was rigid, his background European; Ash, Canadian born and educated, was trained in the North American fashion, though he was influenced by his work with European designers

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Kinetic art refers to art the depends on movement for its desired effect and is closely related to op art. Upon scanning a few of the inner inserts from the Kinetics exhibition catalogue from the Hayward Gallery, London, 1970, I came across these five small manifestos on kinetic art.