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Successful Small Press Publishing Strategies,
The Small Fine Press as Business
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Book Arts Reporter: Omaha
Reference Shelf, 136
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Cover design by Sebastian Carter, Rampant Lions Press, Cambridge, England. Interior typography based on a design by Linnea Gentry, Amaranth Press, Santa Fe, New Mexico. Composed in Jan van Krimpen’s Monotype Spectrum by Mackenzie-Harris Corp., San Francisco. Letterpress by Wesley B. Tanner and Will H. Powers, Berkeley, California. Illustrations printed by Helicon Press, San Francisco.

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Fine Print, Vol 7, No 4, 1981
Fine Print, Vol 7, No 4, 1981. Cover design by Sebastian Carter
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Advances in production and 1950s chewing gum marketing. From Wrigley's iconic "Spearman" ads to Hiroshi Ohchi's designs for Harris Chewing Gum.
A few years ago the publicity department of Siam di Tella found a collaborator who early in his studies of architecture was attracted by the problems of visual art. His name is Guillermo González Ruiz he was born in Chascomus (Province of Buenos Aires) in 1937. Between 1957 and 1960 he received 18 awards in poster competitions, some of which were of particular importance.
The Cuban film poster conveys the spirit and ideals of the Cuban revolution. A time of political change, an uprising that ended the brutal dictatorship of Fulgencio Batista. The Danish Film Institute have a collection of Cuban Film Posters from the past 50 years.
When Fritz Gottschalk and Stuart Ash joined forces in Montreal, it was a partnership ideally suited to the city's hybrid environment. Gottschalk's training in graphic design in Switzerland, Paris and London was rigid, his background European; Ash, Canadian born and educated, was trained in the North American fashion, though he was influenced by his work with European designers