Join the Mailing List

Membership

Graphic Design History from Design Reviewed

Modern Publicity 1934-35, The Studio Limited, 1935

Information

Details

  • Format: Book
  • Designer/s: Johns Manbridge
  • Year: 1935
  • Client/Publisher: The Studio Publications
  • Size: 220mm x 290mm

Linked Information

Modern Publicity 1934-35, The Studio Limited, 1935. Cover design by Johns Manbridge
Modern Publicity 1934-35, The Studio Limited, 1935. Cover design by Johns Manbridge

 

Modern Publicity 1934-35, The Studio Limited, 1935. Cover design by Johns Manbridge
Modern Publicity 1934-35, The Studio Limited, 1935. Cover design by Johns Manbridge
More graphic design artefacts
Gebrauchsgraphik, 03, 1939. Cover Design by Ary Fagundes
From the design archive:

Gebrauchsgraphik, 03, 1939

  • Format: Magazine
  • Designer/s: Ary Fagundes
  • Year: 1939
View Artefact
Olivetti 84, advertisement, 1962. Designed by Giovanni Pintori.
From the design archive:

Olivetti 84, advertisement, 1962

  • Format: Advertisement
  • Designer/s: Giovanni Pintori
  • Year: 1962
View Artefact
Idea October 1966 Extra issue. Cover design by Kazumasa Nagai.
From the design archive:

Idea October 1966 Extra issue

  • Format: Magazine
  • Designer/s: Kazumasa Nagai
  • Year: 1966
View Artefact
Typografia, ročník 56, 12, 1953. Cover design by Oldřich Hlavsa
From the design archive:

Typografia, ročník 56, 12, 1953

  • Format: Magazine
  • Designer/s: Oldřich Hlavsa
  • Year: 1953
View Artefact

view more of the graphic design archive

More graphic design history articles

Members Content

Design, Council of Industrial Design, 91, July 1956. Cover design by Ken Garland
  • Design Archive Feature

Ken Garland and the Industrial Magazine, Design

Before setting up Ken Garland & Associates in Camden, London, Ken was art editor of Design magazine in 1956. The magazine was published by the Council of Industrial Design, which was set up in 1944 with the prime focus of supporting Britains economic recovery.
Idea 81, 1967. Cover design by Yusaku Kamekura
  • Design Archive Feature

Elements of Idea “The Arrow” by Shigeo Fukuda, 1973

The versatility of the arrow sign knows no bounds – from thin lines exuding delicacy to thick, heavy-set lines conveying stability and weight. Depending on its construction, the arrow sign can speak with individuality, even possessing psychological and emotional expression.
Frank René Testemale’s IBM Advertising in France. Scanned from Gebrauchsgraphik, 4, 1964.
  • Design Archive Feature

Frank René Testemale’s IBM Advertising in France by Alexandre Alexandre, 1964

IBM puts a premium on functional design, forms and colours which make it far easier for the potential customer to gain an insight. In this respect the IBM methods are exemplary. The IBM already opened studios of artistic and graphic design for its German and Italian offices and a few years ago another such studio was established in Paris. Frank René Testemale was entrusted with its organisation and was appointed its business and art director.

Members Content

Cinderella - Stuttgart, Bundesn Gartenschau, 1961
  • Design Archive Feature, Members Only Content

Cinderella. A selection of Publicity Stamps and Stickers

I have a real passion for collecting Cinderella stamps and other ephemera and love the artistic and historical value of these items. The scarcity of some Cinderella stamps, especially those associated with significant historical events or rare advertising campaigns, makes them highly sought after in the philatelic world.