De Tampon, March 1925, School voor de Grafische Vakken, Utrecht

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Students and former students of the School for the Graphic Arts: Utrecht Fifth Volume

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De Tampon, March 1925, School voor de Grafische Vakken, Utrecht
De Tampon, March 1925, School voor de Grafische Vakken, Utrecht
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Wolfgang Bäumer's advertising design for Bayer, Klöckner Works and the Lottery. His adaptable design aesthetic alongside his skills of convening messaging through visuals are fantastic examples of mid-century German graphic design.
The stories of Norwich’s medieval merchants’ marks is being told in a new book and exhibition.
Armin Hofmann's publicity for the Stadttheater Basel. The client, in this case, the Municipal Theater of Basel, refused to listen to narrow-minded critics, in spite of the fact that as a state-subsidized enterprise it is accountable to public opinion.

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As part of their marketing strategy, Kast + Ehinger, commissioned a selection of German designers to produce advertisements aimed at the design industry. I have scanned in quite a lot of their advertising matter, all of which were back-page advertisements from three German design magazines. Der Druckspiegel, Gebrauchsgraphik and Graphik – Werbung + Formgebung.