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Encountering Books: Art Book Fairs of the world,Distribution and Communication
Shanghai Art Book Fair
Vancouver Art Book Fair
Taipei Art Book Fair
FOCAL POINT
Singapore Art Book Fair
The Art Book Fair as a temporary book space
Bangkok Art Book Fair
Bergen Art Book Fair
Sitterwerk Catalogue: A collection of real encounters and an art library
Translating Unanswerable Questions Which Mirror Do You Want to Lick? Tokyo Edition Tour/Production Record
Which Mirror Do You Want to Lick? Tokyo Edition Insert
Typojanchi 2021 Report
Round table report commemorating the publication of The World on a Sheet of Paper Showing the world the way
Sparkling Fresh Series|CRITIQUE&CONTEXT Vol. 1
NISSHA & IDEA Collaborative. Creativity in Digital Printing Vol. 2

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Idea 397, 2022-3/10
Idea 397, 2022-3/10
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
I have been reproached for this, and I will surely be reproached again. I have also been reproached for reading more and more obscure works whose readership must be limited to a handful of specialists and a few hobbyists like myself. It’s a heavy passion or a passion that sucks.

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In my previous article about the design work produced for Insituto di Tella, I touched upon the artists Juan Carlos Distéfano, Ruben Fontana and Juan Andralis. After further research, I found a suite of other designs they had produced, including exhibition posters, concert programmes and record sleeves.

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Collected Japanese ephemera From the late 1920s to the mid-1930s, from Japan's transformative period, with its robust industrial force accompanied by an increase in consumer culture.

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As part of an ongoing series showcasing Swiss poster designs from the 1950s and 1960s, this article features 1961 poster entries of Die besten Plakate des Jahres (The Best Posters of the Year) 1961. Originating in 1941, Die besten Plakate des Jahres initially served as a platform for the evaluation and showcase of Swiss posters.