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Content includes:
Special Feature: Abstract Expressions Today Planning and Arrangement: IDEA Editorial Staff, Editorial Cooperation: Kijuro Yahagi, Special THanks: Ruki Matsumoto Collection, Batsu Art Gallery
Le Siecle Du Design –The Osaka Version of the Exhibition Held to Commemorate the Opening of Maison de la Culture du Japon a Paris Text: Ikko Tanaka
Aboud・Sodano –London Design Unit Art Directing Global Image Visuals
Tokyo Typedirectors Club 1998 Annual Award Text: Katsuya Ise
Teiji Fujii –Visual Insight – creative approach from New York
Visual Design Art of 82nd Nika Exhibition
The 58th Annual Exhibition of Bijutsu Bunka Art Association
News & Information, Exhibitions and Book Reviews, Addresses of Contributors

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Idea 269, 1998-7
Idea 269, 1998-7. Cover design by Tomato
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
The background of Kamekura's mark designs is his boldness in eliminating all the waste, combining simplification derived from Japanese traditional family crests and Western intellectual mechanics of formation with a sharp modern sense of composition.

Members Content

Max Huber worked across advertising, packaging, design and industrial design. He had a distinctive style that skillfully blended bright hues with photomontage.
Elizabeth Resnick is a Professor Emerita, former chairperson of the Graphic Design Department, and current part-time faculty at Massachusetts College of Art and Design, Boston, Massachusetts, since 1977. She ran her own independent Boston design studio from 1973 to 1996, working with many high-profile clients and is a passionate design curator who has organized seven comprehensive design exhibitions. I interviewed Elizabeth about her journey in the field, her early influences and some of the many items in her collection.
Theo Häussler's commercial art is distinguished by its clear and disciplined form and its distinct advertising message.