Graphic Design 92, 1983

Information

Content includes:
Design focus
・ICOGRADA Dublin report / Sakane Susumu
・Bauhaus stamp series / Katsumi Masaru
・1st International Design Competition Award
・Flyer for Osaka International Design Festival / Tanaka Ikko
’83 JAGDA Peace Poster Exhibition / Fukuda Shigeo
J. Bertin’s “Semiology of Figures” / Morita Takashi
Saito Makoto’s Graphic Design / Kazumasa Nagai
Illustrations by Iku Akiyama / Ikko Tanaka
Hiroshi Morishima Washi Series Food / Hiroshi Morishima
Osamu Yoshimura Weaving Pictures / Osamu Yoshimura
Design East and West Kenji Ito / Ryuichi Yamashiro
5th Lahti Poster Biennale
Icograda Series ④ Korea/Belgium
・Young-Je Cho
・Serge Bahi
Activities of the Japan Graphic Designers Association

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Graphic Design 92, 1983
Graphic Design 92, 1983. Cover design by Makoto Saito,
Issue 92 of the Japanese magazine Graphic Design (グラフィックデザイン) published in 1983.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

As part of their marketing strategy, Kast + Ehinger, commissioned a selection of German designers to produce advertisements aimed at the design industry. I have scanned in quite a lot of their advertising matter, all of which were back-page advertisements from three German design magazines. Der Druckspiegel, Gebrauchsgraphik and Graphik – Werbung + Formgebung.
Founded in 2015, Triest Verlag für Architektur, Design und Typografie have published notable works on graphic design history, including biographies of Othmar Motter, studies on Eugen Gomringer’s typography and poetry, Ernst Keller’s teachings. Thier latest book The Birth of a Style, focuses on the influence of the Basel Educational Model on the evolution of Swiss graphic design into the renowned international style.
When Fritz Gottschalk and Stuart Ash joined forces in Montreal, it was a partnership ideally suited to the city's hybrid environment. Gottschalk's training in graphic design in Switzerland, Paris and London was rigid, his background European; Ash, Canadian born and educated, was trained in the North American fashion, though he was influenced by his work with European designers

Members Content

Many influential British designers have made their names in the history books. Abram Games, Alan Fletcher, Tom Eckersley and Derek Birdsall, to name a few. But one designer that has always influenced me, not only as inspiration from their design output, but as an example of the role of a designer and the importance of having strong ethics, is Ken Garland. He is known for his innovative and socially responsible approach to graphic design and his involvement in the design community through his teaching, writing and activism. In the second instalment of this series, I will discuss Ken Garland's magazine work from my collection.