Linea grafica, 01, February, 1975

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Content includes:
Lara-Vinca Masini: « 107 Agi Graphs »
Luisa Rollier: « Talking walls »
Grazia Schenone Garavoglia: « The graphic designer in today’s reality
advertising »
Attilio Giovannini: « Counter-manual of animation: The misunderstanding Disney”
Giancarlo Realini: « Physics of materials and the visual world »
Gianni Vianello: « Rediscovery of Japanese prints » (3)
Carlo Munari: « Italian designers: Massimo Zuppelli »
Domenico Balbi: « A new style for playing cards »
Franco Mosca G.: « Heinz Edelmann receives the AIAP Triennale prize »
Dino Villani: « Alberto Ceppi »
Salvatore Maugeri: « Folders of graphic works »
” Books “
Attilio Giovannini: « Images taken »
« Technical newsletter and reports »
« Summary in French and English »

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Linea grafica, 01, February, 1975
Linea grafica, 01, February, 1975
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From the design archive:
From the design archive:
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Little is known about the designer Günther Heil. he established his graphic studio in Berlin and designed many advertisements for 8mm and 16mm film distributor Bruno Schmidt in the 1960s. These were created in the same era as the film distributor Atlas Films was sending films to art-house theatres and were hiring designers Hans Hillmann, Hans Michel, Günther Kieser, Wolfgang Schmidt and Karl Oskar Blase.
Flexible Visual Systems is the design manual for contemporary visual identities. It teaches you a variety of approaches on how to design flexible systems, adjustable to any aesthetic or project in need of an identifiable visual language.

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Advertisements from post-World War II Britain for British Aluminium Company. Designs by Abram Games, Tom Eckersley, FHK Henrion, Pat Keely, and James Hart, who collectively crafted over 100 four-color and 300 black-and-white advertisements.
The covers of the periodical ALMANAQUE, which was published in Lisbon, are perfect examples of this pleasure in the unusual and the force of with which all sorts of foreign influences are assimilated.