Paul Schuitema

de 8 en Opbouw 1932-1943, Manfred Bock, 1985

Information

Prospectus for the 6-volumes reprint of de 8 en Opbouw. Featuring the fantastic design of Paul Schuitema.

Details

Paul Schuitema was a Dutch designer and artist and was a member of the Circle of New Designers, a group that included Moholy-Nagy, Herbert Bayer, and Jan Tschichold. He was a pioneer in modern typography in mass communication and quickly adopted the principles of Constructivism and Bauhaus after studying in Rotterdam.

Linked Information

de 8 en Opbouw 1932-1943, Manfred Bock, 1985
de 8 en Opbouw 1932-1943, Manfred Bock, 1985
Prospectus for the 6-volumes reprint of de 8 en Opbouw. Featuring the fantastic design of Paul Schuitema.

Paul Schuitema was a Dutch designer and artist and was a member of the Circle of New Designers, a group that included Moholy-Nagy, Herbert Bayer, and Jan Tschichold. He was a pioneer in modern typography in mass communication and quickly adopted the principles of Constructivism and Bauhaus after studying in Rotterdam.

More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Banks & Miles, were founded in 1958 by Colin Banks and John Miles and became renowned for their design work with major British institutions and companies. They made significant contributions to type design and corporate identity.

Members Content

Before setting up Ken Garland & Associates in Camden, London, Ken was art editor of Design magazine in 1956. The magazine was published by the Council of Industrial Design, which was set up in 1944 with the prime focus of supporting Britains economic recovery.

Members Content

Jean Carlos Distefano is an Argentinian artist, designer and teacher. He designed a range of posters, programmes brochures and book covers alongside Juan Andralis, Humberto Rivas and Roberto Alvarado for the Instituto di Tella, Buenos Aires.
Last month (March 2022), I spoke to over fifty Graphic Design undergraduates about the archive and my passion for design history, after which the students had full access to items in the collection and participated in discourse amongst their peers and lecturers. As part of their critical studies unit, the students will be producing essays and content related to the impact, history and aesthetics of selected artefacts.