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Graphic Design History from Design Reviewed

Graphis 257, 1988

Information

Content includes:
Corporate Graphics, Inc., by Stephan McDonald
Contact Press Images, by Marisa Bulzone
The Michael Peters Group, by Jeremy Myerson
Grapus, by Steven Heller
The Mural Calender, by Prof. Olaf Leu & Dr. Karl Steinorth
The 34th Annual Exposition of the Type Directors Club, by Sue Heinemann
Graphis Design 89
The Martin Agency, by Dick Calderhead

Details

  • Format: Magazine
  • Year: 1988
  • Client/Publisher: Graphis Press
  • Size: 235mm x 300mm

Linked Information

Graphis 257, 1988
Graphis 257, 1988
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TypeNotes: A journal dedicated to typography & graphic design, No.2 2018
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Twaalf Zweden, Stedelijk Museum, Amsterdam, 1969 designed by Wim Crouwel and Jolijn van de Wouw (Total Design)
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Wolfgang Weingart's artistic design delved into the intricacies of Swiss typography, skillfully dissecting its elements while venturing into texture and type experimentation. His layered montages radiated dynamic kinetic energy, standing in stark contrast to the minimalist approach of his instructors, embracing a more maximalist aesthetic.
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Yusaku Kamekura and his Mark Design by Masataka Ogawa

The background of Kamekura's mark designs is his boldness in eliminating all the waste, combining simplification derived from Japanese traditional family crests and Western intellectual mechanics of formation with a sharp modern sense of composition.

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What has been said about the styling of advertisements goes for the field of publicity for chemical and pharmaceutical products as well. Whether it is a soporific, an analgetic or a protein remedy for defects of malnutrition - nearly without a single word, the efficiency of the product in question is symbolically characterized in the composition and the choice of colours equally to the point, on the covers of these prospectuses. Suppositions for such achievements are the highest level and a freedom of artistic means which our businessmen, when employing commercial artists, are only too seldom ready to grant. Designs Matthew Leibowitz
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Advertising Pharmaceuticals, A Comparison of German and American Advertising in 1950

As a chemist, I have an obligation to be curious – I grab a stack of our chemical journals and start with the advertising section. I start it, the walk through the sand. I don’t want to deny some oases. But soon I’m bored and tired.

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"Kissho, Shofuku, Hanjo" Tadanori Yokoo's Silkscreen Poster Exhibition in 1997
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“Kissho, Shofuku, Hanjo” Tadanori Yokoo’s Silkscreen Poster Exhibition in 1997

In 1997 Tadanori Yokoo showcased 31 new silkscreens at the Ginza Graphic Gallery in Tokyo. Many of these works were previously unseen, and I was fortunate enough to discover a feature in a back issue of Idea magazine that showcased the full collection of silkscreen posters.