Idea 266, 1998-01

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Special Edition: Work from N.Y.
Work from NY Part 1: The Frontiers of Visual Images
J. Abbott Millor [Design/Writing/Research]
Blue Brick [Christopher Wise & Paul Krygowski]
Chip Kidd
The Attik Design Limited
Barry Deck
James Victore
Amy Guip
Stefan Sagmeister
slow HEARTH studio, inc.
Spencer Drate / Jutka Salavetz
Bau-Da Design Lab, Inc.
Steve Spear
Christopher Vice
Laurie Rosenwald
Barbara Glauber
Helen Silverman [hello studio]
Kon/Struktur
Ralph Appelbaum
Work from NY Part 2: The Frontiers of On-the-web Designers
Razorfish
Entry 8 Digital Arts
i/o 360 Digital Design, Ink.
52mm [John J. Hill]
MTV Interactive [Manabu Inada]
Kioken
Funny Garbage
Plumb Design
Addresses of Contributors
News and Information
Panel Discussion: The Point in Bringing Up Knowledgeable Personality in Each of Our Education System. Dr. Mitsuo Katsui, Dr. Akio Kanda, Dr. Yuji Baba, Dr. Hoichiro Inagaki

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Idea 266, 1998-01
Idea 266, 1998-01
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How design can transcend the logics, structures, and subjectivities of capitalism: a framework, theoretical grounding, and practical principles. A new book published by MIT Press written by Matthew Wizinsky.

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Magalhães developed over 180 brands and in addition to developing visual identities, he also developed designs for Brazilian notes and coins.

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Both the And So To Embroider & And So to Sew bulletins were published by the Needlework Development Scheme. Established in 1934 and operating until 1961, the scheme was a partnership between educational establishments (Scottish art schools, Aberdeen, Dundee, Edinburgh and Glasgow) and industry.

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Tadashi Ohashi was at the forefront of Japan's postwar design movement, with his illustrations widely celebrated. In 1952, he became the chief designer for Meiji Seika Confectionery, producing some of his most renowned work.