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Kasimir Malewitch, Stedelijk Museum, Amsterdam, 1976 designed by Wim Crouwel and Daphne Duijvelschoff (Total Design)
Kasimir Malewitch, Stedelijk Museum, Amsterdam, 1976 designed by Wim Crouwel and Daphne Duijvelschoff (Total Design)
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
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Every year the 20 best posters are selected in Germany and once more brought to the attention of the public. We do not publish all the twenty posters today; instead we add some which failed to be distinguished and which nevertheless are distinguished.

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Nikon commissioned Yusaku Kamekura to design numerous posters, packaging designs and advertisements for Nikon. His used abstract forms, an impactful use of colours, along with his skilful reduction of messaging.

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The Best Swiss Posters Award was an annual competition, judged by a Swiss Jury. They selected a range of posters, showcasing a range of poster styles from completely typographic designs such as the work of Robert Büchler, to the illustrated posters of Donald Brun.

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Bäumer gave the company a unique brand image amplifying its graphical image after a time of post-war economic recovery. This style of advertising composition can be seen across many 1960s campaigns, especially from other German designers such as Anton Stankowski.