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Pierre van Soest, Stedelijk Museum, Amsterdam, 1978 designed by Wim Crouwel and Daphne Duijvelschoff (Total Design)
Pierre van Soest, Stedelijk Museum, Amsterdam, 1978 designed by Wim Crouwel and Daphne Duijvelschoff (Total Design)
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
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A fantastic example of Swiss design for brand systems is the brand and advertising by Siegfried Odermatt commissioned by Grammo Studio in Zurich.

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Victorian Graphic Design left a mark on both British and American design history. In Britain, the ornate embellishments served as a symbol of prosperity and cultural values. Meanwhile, America embraced the combination of various design elements to navigate the complexities of a rapidly changing society driven by industrialisation and consumerism.
Mark Bloom has designs for globally recognised brands, produces some of the finest, most accessible modern typefaces and heads up Mash Creative and CoType Foundry. His type foundry has always been a port of call for our studio's brand projects and he continues to develop these, each with a fantastic print specimen.
Flexible Visual Systems is the design manual for contemporary visual identities. It teaches you a variety of approaches on how to design flexible systems, adjustable to any aesthetic or project in need of an identifiable visual language.