Share:
Members Only Content. What membership unlocks
This article is one of nearly 200 members’ research pieces, researched and written directly from the physical archive in Bradford.
Join from £2.49/month for full access to this piece, plus every other member article, translated historic texts, and designer profiles researched from the collection.
Become a member from £2.49/month
Already a member? Log in below.
Design Archive Feature, Designer Profiles, Members Only Content
A 1936 article on Ludwig Hohlwein, originally in German, published in Graphische Nachrichten, Vol 13, 11, November 1934
Read Article
Design Archive Feature, Illustration, Members Only Content, Studios & Collectives
Winter + Bischoff’s work blends fine art and graphic design and is a fine example of commercial design featuring a heavy use of stylistic illustration. In fact a lot of German graphic design in the 1960s has this strong relationship of commercial and professional typographic layout with the roughness and organicness of art.
Read Article
Design Archive Feature, Members Only Content, Regional Histories, Typography & Type Design
60 examples of Czech typography from Typografia Vol. 21 (1910). Czech commercial printing and book design as Secession ornament progressed to early modernist typography, with work by Alois Rieger, Methoděj Kaláb, Alois Chvála and many more.
Read Article
Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories
Ikko Tanaka (田中一光, 1930–2002) was a celebrated Japanese graphic designer. His client list included Mazda, Hanae Mori and Issey Miyake, Expo '85 in Tsukuba, World City Expo Tokyo '96, and the Victoria and Albert Museum.
Read Article