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Edited by Atsushi Oshita

Featured: Viennese Traditions and Illusions
Vienna, the city aware of its collapse / Yoshikuni Iida
Visionary Viennese writers / Kokichi Ikuno
Kumi Sugai (Appearance as a writer) (Interview) / Ryuichi Yamashiro; Makoto Ooka
Encounter with Books / Teiichi Hijikata
The melancholy of city dwellers Sketch by Hideo Noda / Yoshikazu Iwasaki
The Dictator and His Standard Bearers (Artists in Danger ⑤) / Ichiro Hariu
world topics
Laszlo Moholy-Nagy (Pioneer of the 20th Century ⑤) / Yusuke Nakahara
From the Gallery Masao Tsuruoka Exhibition, Kyubei Shimizu Exhibition, Kazumi Amano Exhibition / Takahiko Okada

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みづゑ Mizue 760 1968. Cover design by Kumi Sugai 1 scaled

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Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

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The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.