
Lund Humphries, today, is known for publishing books on contemporary art and artists; few know that its roots are in a jobbing printer in Bradford. But Bradford, at the turn of the century, was no provincial backwater, but a city at the centre of the world’s wool industry and Percy Lund Humphries was not merely a jobbing printer serving the local industry, but a progressive firm with ambitions well beyond the boundaries of Yorkshire. Many of its publications were of great importance. In its time, the publication The Penrose Annual was an essential read for those interested in printing and the graphic arts and Typographica, the most avant-garde journal on typography. Lund Humphries mounted extraordinary exhibitions in its grand London office in Bedford Square, and it carried type for languages across the world, crucial for the government’s need for language textbooks for those serving overseas in WWII; and much more.
Designer: Webb & Webb

Advertising Design, Design Archive Feature, Designer Profiles, Members Only Content
A 1925 article on Karl Schulpig, originally in German and published in Archiv für Buchgewerbe und Gebrauchsgraphik, March 1925.
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Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories
Ootje Oxenaar designed the summer stamps for the Netherlands using an assignment from De Nederlandsche Bank based on banknotes. The assignment resulted in the collaboration of Oxenaar, the printer, the laboratory and the banking specialist, in which they experimented with the design of securities on printed matter.
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Design Archive Feature, Illustration, Members Only Content
Little is known about the talented designer Günther Glückert. Born during the 1930s, a period that proved less than conducive to nurturing youthful artistic endeavours, did not halt Glückert's path of becoming a talented designer.
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