Alphabet and Image 8, Shenval Press, 1948

Information

Content includes:
James Shand: AUTHOR AND PRINTER: G.B.S. AND R. & R. C.: 1898-1948
Thomas Balston: THE RIVER BOOKS OF ROBERT GIBBINGS
Percy Muir: A SERENDIPITOUS BIBLIOGRAPHY: a review
Ambrose Heal: 17TH-CENTURY TRADE-CARDS
Douglas Newton: PAINTINGS OF PLASTICS BY EDWARD WADSWORTH
Konrad Bauer: HEINRICH JOST: an obituary
James Thorpe: CHARLES KEENE: THE LAST PHASE

Details

Linked Information

Alphabet and Image 8, Shenval Press, 1948
Alphabet and Image 8, Shenval Press, 1948
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
The graphic designer had to create a series of ads whose new publicity effects were to confirm or accentuate the already existing • image • of the paper. In this case, the planning was not based on a would-be psychological analysis of the reading public.

Members Content

“Der Druckspiegel” typographic supplement May 5, 1967, was focused on a selection of the winning entries from Die besten Plakate des Jahres featuring over fifty winning entries.

Members Content

Throughout the 1920s and 1930s, Paul Schuitema emerged as one of the Dutch pioneers of new typography. This article features a selection of the cover designs and a few inner spreads from my collected issues of De 8 en Opbouw.
I have always loved the design work created for Olivetti. The colourful midcentury designs by Italian designer Giovanni Pintori, the minimal typographic poster by Swiss designer Walter Ballmer and my personal favourite the 1959 poster for Olivetti designed by Herbert Bayer. I recently found out Triest Verlag released a new book, Visual identity and branding at Olivetti which contains further work by Xanti Schawinsky, Renato Zveteremich, Ettore Sottsass, Hans von Klier, Egidio Bonfante and Walter Ballmer.