Anton Stankowski

Anton Stankowski – Frei und Angewandt | Free and Applied, Ernst & Sohn, 1996

Details

  • Format Book
  • Designer/s Anton Stankowski
  • Year 1996
  • Client/Publisher Ernst & Sohn
Anton Stankowski
Anton Stankowski was a German graphic designer born in 1906. He studied graphics in Essen with Burcharts and in the 1930s he worked in Zurich at the Max Dalang agency. From 1937 he freelanced in Stuttgart and in 1964 he was a lecturer at the HfG University of Ulm. From 1967 to 1972 he was president of the visual arts group within the organizing committee for the games of the XX Olympiad. Explore related designers including Otl Aicher and Karl Gerstner. See also Rise of Corporate Identity and German graphic design history.

Linked Information

Anton Stankowski – Frei und Angewandt | Free and Applied, Ernst & Sohn, 1996
Anton Stankowski – Frei und Angewandt | Free and Applied, Ernst & Sohn, 1996

 

Anton Stankowski – Frei und Angewandt | Free and Applied, Ernst & Sohn, 1996
Anton Stankowski – Frei und Angewandt | Free and Applied, Ernst & Sohn, 1996

 

Anton Stankowski – Frei und Angewandt | Free and Applied, Ernst & Sohn, 1996
Anton Stankowski – Frei und Angewandt | Free and Applied, Ernst & Sohn, 1996
More graphic design artefacts
More graphic design history articles
Giovanni Pintori and his definitive visual language for Olivetti

Corporate Identity & Branding, Design Archive Feature, Members Only Content, Regional Histories

Giovanni Pintori and his definitive visual language for Olivetti

Giovanni began his work with Olivetti in March 1938, and his work was showcased in various exhibitions and had a clear distinctive style that amplified the Olivetti brand image. His design defined the company’s visual image, and the iconic geometric designs are still as powerful and engaging today as they were in the 1950s.

Read Article
Erberto Carboni and his work for Radio Italiana, 1940s and 1950s

Advertising Design, Design Archive Feature, Members Only Content, Regional Histories

Erberto Carboni and his work for Radio Italiana, 1940s and 1950s

These one-colour forms have a playful but structured aesthetic through their geometric forms, they remind me of the abstract line drawings of Picasso blended with Jan Tschichold and the New Typography.

Read Article
My Grandfather Franco Grignani, with Emiliano Grignani

Designer Interview

My Grandfather Franco Grignani, with Emiliano Grignani

Emiliano Grignani is the grandson of Franco Grignani, one of the most versatile and influential Italian designers. Well-known for his advertising, painting and the way he could visualise motion in such a unique way. I interviewed Emiliano to find out more about Franco and his influence on graphic design and the great resource, https://www.francogrignani.info.

Read Article