Join the Mailing List

Membership

Graphic Design History from Design Reviewed

Architectural Design, May 1960

Information

Details

  • Format: Magazine
  • Designer/s: Theo Crosby
  • Year: 1960
  • Size: 235mm x 302mm

Linked Information

Architectural Design May 1960 1
Architectural Design, May 1960. Cover design by Theo Crosby
More graphic design artefacts
Visible Language, Vol 07, 01, Winter 1973
From the design archive:

Visible Language, Vol 07, 01, Winter 1973

  • Format: Magazine
  • Year: 1973
View Artefact
Ben Nicholson, Stedelijk Museum Amsterdam, 1954
From the design archive:

Ben Nicholson, Stedelijk Museum Amsterdam, 1954

  • Format: Exhibition Catalogue
  • Designer/s: Willem Sandberg
  • Year: 1954
View Artefact
Atlas Filmheft 32 - Das Schweigen designed by Fischer-Nosbisch
From the design archive:

Atlas Filmheft 32 – Das Schweigen

  • Format: Film Programme
  • Designer/s: Fischer-Nosbisch
View Artefact
Reprint Karel Martens, 2015
From the design archive:

Reprint Karel Martens, 2015

  • Format: Book
  • Designer/s: Karel Martens
  • Year: 2015
View Artefact

view more of the graphic design archive

More graphic design history articles

Members Content

Drawings for rhymes by Annie MG Schmidt, Netherlands Stamps, 1967. Designed by Wim Bijmoer
  • Design Archive Feature, Members Only Content

A Visual History of the Netherlands Children’s Charity Stamps (Kinderpostzegels)

In December 1924, the Netherlands introduced children's stamps (Kinderzegels). Over the years, these stamps have featured designs by some of the most prominent Dutch designers, including Gerard Kiljan, P. Koch, Gerrit Noordzij, Otto Treuman, Robert Deodaat Emile ‘Ootje’ Oxenaar, Dick Bruna, Jan van Toorn, and Karel Martens.
Idea 81, 1967. Cover design by Yusaku Kamekura
  • Design Archive Feature

Elements of Idea “The Arrow” by Shigeo Fukuda, 1973

The versatility of the arrow sign knows no bounds – from thin lines exuding delicacy to thick, heavy-set lines conveying stability and weight. Depending on its construction, the arrow sign can speak with individuality, even possessing psychological and emotional expression.

Members Content

Advertisements for Radio Italiano designed by Erberto Carboni Scanned from Publimondial 29, 1950
  • Design Archive Feature, Members Only Content

Erberto Carboni and his work for Radio Italiana, 1940s and 1950s

These one-colour forms have a playful but structured aesthetic through their geometric forms, they remind me of the abstract line drawings of Picasso blended with Jan Tschichold and the New Typography.

Members Content

Artefacts designed by Ken Garland
  • Design Archive Feature, Members Only Content

Ken Garland and Galt Toys

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.