VOL. 21. NO. 128
Advertising in Italy.
The financial story goes untold. Financial advertising produced in London and New York.
The Fair demonstration of modern methods of living.
Henrion – designer.
Modern Commercial Typography Exhibition at the Victoria and Albert Museum, London, reviewed by Robert Harling
Who did that? Comments on current advertising
Comments on “Can Advertising Restore Lost Prosperity?”
Opinions of “Modern Publicity” 1936-7
COLOUR.
Cover of Italian travel magazine “Italia Specimens of moderń Italian typography
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Elizabeth Resnick is a Professor Emerita, former chairperson of the Graphic Design Department, and current part-time faculty at Massachusetts College of Art and Design, Boston, Massachusetts, since 1977. She ran her own independent Boston design studio from 1973 to 1996, working with many high-profile clients and is a passionate design curator who has organized seven comprehensive design exhibitions. I interviewed Elizabeth about her journey in the field, her early influences and some of the many items in her collection.
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Corporate Identity & Branding, Design Archive Feature, Designer Profiles, Members Only Content
The background of Kamekura's mark designs is his boldness in eliminating all the waste, combining simplification derived from Japanese traditional family crests and Western intellectual mechanics of formation with a sharp modern sense of composition.
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Last month (March 2022), I spoke to over fifty Graphic Design undergraduates about the archive and my passion for design history, after which the students had full access to items in the collection and participated in discourse amongst their peers and lecturers. As part of their critical studies unit, the students will be producing essays and content related to the impact, history and aesthetics of selected artefacts.
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