Content
BUILDING THE WORLD OF TOMORROW: THE NEW YORK WORLD’S FAIR by Walter Dorwin Teague
OURSELVES AS OTHERS SEE US.
SELLING THE SAVOY HOTEL
CAMPAIGNING CAMERA-No. 2 by Walter Nurnberg
THE HOUSE BUILT ON A HOUSE JOURNAL by E. Symes Bond
POPULARISING THE PUBLICITY PHOTOGRAPH IN ITALY
DESIGN DOSSIER: OTTO
CAMPAIGNS COMMENTARY
MAKING THE POSTER PULL ITS WEIGHT
Frank Pick sets Standards for the Designer
COLOUR IN
POSTER BY JOSEPH BINDER FOR THE NEW YORK WORLD’S FAIR
HAND-COLOURED PHOTOGRAPHS
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Advertising Design, Regional Histories
The first American university to accept graphic designers as members of the faculty was the Massachusetts Institute of Technology, called M. I. T, for short. The work created by the design group reflects the high level of instruction, the realistic setting of the training and the progressive philosophy of this institute.
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Design Archive Feature, Designer Profiles, Members Only Content, Movements, Regional Histories
Wolfgang Weingart's artistic design delved into the intricacies of Swiss typography, skillfully dissecting its elements while venturing into texture and type experimentation. His layered montages radiated dynamic kinetic energy, standing in stark contrast to the minimalist approach of his instructors, embracing a more maximalist aesthetic.
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Design Archive Feature, Design Education, Ephemera, Regional Histories, Typography & Type Design
I came across two sample books containing printed examples of the work executed by the students in the Composing and Machine Departments of the Polytechnic School of Printing, between 1907 and 1910. I couldn't resist adding these to the archive.
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