Art and Industry 368, February 1957

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Content includes:
Precious Land
Layout for Bus Overhaul
The Creative Mind in Advertising-3. Stanhope Shelton by Mary Gowing, FIPA
A Knock-down Bookcase
A Designer’s Approach to Commercial Printing by Peter Pickard, MSIA, ARCA
Presenting New Pyrex
Brighter Bureaucracy?
A New Approach to Thirst

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Art and Industry 368, February 1957
Art and Industry 368, February 1957
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More graphic design history articles

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These one-colour forms have a playful but structured aesthetic through their geometric forms, they remind me of the abstract line drawings of Picasso blended with Jan Tschichold and the New Typography.

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Max Huber was born in 1919 in Switzerland. He studied at the Kunstgewerbeschule (School of Arts and Crafts) in Zurich where he excelled in graphic design and photography.  Huber worked across advertising, packaging, design and industrial design. He had a distinctive style that skillfully blended bright hues with photomontage.
A short free-to-access feature on Swiss Design. The movement was influenced by Bauhaus and De Stijl, sought clarity and visual unity, making it a powerful force in global graphic design that remains influential today.

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Yoshio Hayakawa was born in Osaka, Japan, in 1917 and became a leading designer and artist in postwar Japan. His work was a harmonisation of traditional Japanese art with Western art.